The thrilling sequel to Fifteen Postcards Disappearing from her antiques shop amid a spray of bullets, Sarah Lester leaves no body, only questions. Sarah's friends are left to deal with the aftermath of her disappearance, including questions about the dubious provenance of her antiques which threaten to crush the business she's brought back from the brink of failure. Sarah struggles to reunite with her father while continuing the search for her mother, unaware that England's violent colonial past has followed her to the present, putting herself and those she loves in danger. From the remote shores of New Zealand, through India's hill-country stations and onto the streets of Victorian London, Sarah must determine whether family bonds are strong enough to reach across the centuries. The Last Letter is peopled with reticent soldiers, conniving clergymen, fanatical collectors and commission-hungry auctioneers, taking you on a spectacular journey through time.

The Routledge History of Western Empires is an all new volume focusing on the history of Western Empires in a comparative and thematic perspective. Comprising of thirty-three original chapters arranged in eight thematic sections, the book explores European overseas expansion from the Age of Discovery to the Age of Decolonisation. Studies by both well-known historians and new scholars offer fresh, accessible perspectives on a multitude of themes ranging from colonialism in the Arctic to the scramble for the coral sea, from attitudes to the environment in the East Indies to plans for colonial settlement in Australasia. Chapters examine colonial attitudes towards poisonous animals and the history of colonial medicine, evangelisaton in Africa and Oceania, colonial recreation in the tropics and the tragedy of the slave trade. The Routledge History of Western Empires ranges over five centuries and crosses continents and oceans highlighting transnational and cross-cultural links in the imperial world and underscoring connections between colonial history and world history. Through lively and engaging case studies, contributors not only weigh in on historiographical debates on themes such as human rights, religion and empire, and the 'taproots' of imperialism, but also illustrate the various approaches to the writing of colonial history. A vital contribution to the field.

Between 1800 and 1920, the territory and influence claimed by Western empires came to cover a larger portion of the globe than at any time before or since. Why and how did this happen? What were the consequences of this unprecedented scramble for dominion? What methods have historians used to understand the increasingly large and structurally complex Western empires that emerged across the long 19th century? In this fifth volume, A Cultural History of Western Empires in the Age of Empire, we trace these questions across a period bookended by two devastating global wars. The forces that enabled unparalleled Western expansion were likewise violent. Often no less traumatically, the phenomenon was also one of cultural exchange and negotiated identities in which both colonized and colonizer were repeatedly made and remade. As cultural historians, we locate the power struggles of empire as much in identity and ways of life as in the movement of armies or the signing of treaties. New technologies of communication, transport and warfare brought an 'Age of Empire' into existence for the West. But it was equally grounded in new ways of thinking about human difference and new beliefs about the state's power to intervene in the most intimate domains of human behavior.

During a major overhaul of British imperial policy following the Napoleonic Wars, an escaped convict reinvented himself as an improbable activist, renowned for his exposes of government misconduct and corruption in the Cape Colony and New South Wales. Charting scandals unleashed by the man known variously as Alexander Loe Kaye and William Edwards, Imperial Underworld offers a radical new account of the legal, constitutional and administrative transformations that unfolded during the British colonial order of the 1820s. In a narrative rife with daring jail breaks, infamous agents provocateurs, and allegations of sexual deviance, Professor Kirsten McKenzie argues that such colourful and salacious aspects of colonial administrations cannot be separated from the real business of political and social change. The book instead highlights the importance of taking gossip, paranoia, factional infighting and political spin seriously to show the extent to which ostensibly marginal figures and events influenced the transformation of the nineteenth-century British Empire.

The Routledge History of Western Empires is an all new volume focusing on the history of Western Empires in a comparative and thematic perspective. Comprising of thirty-three original chapters arranged in eight thematic sections, the book explores European overseas expansion from the Age of Discovery to the Age of Decolonisation. Studies by both well-known historians and new scholars offer fresh, accessible perspectives on a multitude of themes ranging from colonialism in the Arctic to the scramble for the coral sea, from attitudes to the environment in the East Indies to plans for colonial settlement in Australasia. Chapters examine colonial attitudes towards poisonous animals and the history of colonial medicine, evangelisaton in Africa and Oceania, colonial recreation in the tropics and the tragedy of the slave trade. The Routledge History of Western Empires ranges over five centuries and crosses continents and oceans highlighting transnational and cross-cultural links in the imperial world and underscoring connections between colonial history and world history. Through lively and engaging case studies, contributors not only weigh in on historiographical debates on themes such as human rights, religion and empire, and the 'taproots' of imperialism, but also illustrate the various approaches to the writing of colonial history. A vital contribution to the field.

Between 1800 and 1920, the territory and influence claimed by Western empires came to cover a larger portion of the globe than at any time before or since. Why and how did this happen? What were the consequences of this unprecedented scramble for dominion? What methods have historians used to understand the increasingly large and structurally complex Western empires that emerged across the long 19th century? In this fifth volume, A Cultural History of Western Empires in the Age of Empire, we trace these questions across a period bookended by two devastating global wars. The forces that enabled unparalleled Western expansion were likewise violent. Often no less traumatically, the phenomenon was also one of cultural exchange and negotiated identities in which both colonized and colonizer were repeatedly made and remade. As cultural historians we locate the power struggles of empire as much in identity and ways of life as in the movement of armies or the signing of treaties. New technologies of communication, transport and warfare brought an 'Age of Empire' into existence for the West. But it was equally grounded in new ways of thinking about human difference and new beliefs about the state's power to intervene in the most intimate domains of human behavior.

Emilio and Rosa are childhood sweethearts, engaged to be married. But it is 1942 and the war has taken Emilio far from Italy, to a tiny Orkney island where he is a POW. Rosa must wait for him to return and help her mother run the family hotel on the shores of Lake Como, in Italy. Feeling increasingly frustrated with his situation, Emilio is inspired by the idea of building a chapel on the barren island. The prisoners band together to create an extraordinary building out of little more than salvaged odds and ends and homemade paints. Whilst Emilio's chapel will remain long after the POW camp has been left to the sheep, will his love for Rosa survive the hardships of war and separation? For Rosa is no longer the girl that he left behind. She is being drawn further into the Italian resistance movement and closer to danger, as friendships and allegiances are ever complicated by the war. Human perseverance and resilience are at the heart of this strong debut and the small Italian chapel remains, as it does in reality on the island of Lamb's Holm, as a symbol of these qualities.

In May 1835 in a Sydney courtroom, a slight, balding man named John Dow stood charged with forgery. The prisoner shocked the room by claiming he was Edward, Viscount Lascelles, eldest son of the powerful Earl of Harewood. The Crown alleged he was a confidence trickster and serial impostor. Was this really the heir to one of Britain's most spectacular fortunes?

Part Regency mystery, part imperial history, "A Swindler's Progress" is an engrossing tale of adventure and deceit across two worlds British aristocrats and Australian felons bound together in an emerging age of opportunity and individualism, where personal worth was battling power based on birth alone. The first historian to unravel the mystery of John Dow and Edward Lascelles, Kirsten McKenzie illuminates the darker side of this age of liberty, when freedom could mean the freedom to lie both in the far-flung outposts of empire and within the established bastions of British power.

The struggles of the Lascelles family for social and political power, and the tragedy of their disgraced heir, demonstrate that British elites were as fragile as their colonial counterparts. In ways both personal and profound, McKenzie recreates a world in which Britain and the empire were intertwined in the transformation of status and politics in the nineteenth century.

Emilio and Rosa are childhood sweethearts, engaged to be married. But it is 1942 and the war has taken Emilio far from Italy, to a tiny Orkney island where he is a POW. Rosa must wait for him to return and help her mother run the family hotel on the shores of Lake Como, in Italy. Feeling increasingly frustrated with his situation, Emilio is inspired by the idea of building a chapel on the barren island. The prisoners band together to create an extraordinary building out of little more than salvaged odds and ends and homemade paints. Whilst Emilio's chapel will remain long after the POW camp has been left to the sheep, will his love for Rosa survive the hardships of war and separation? For Rosa is no longer the girl that he left behind. She is being drawn further into the Italian resistance movement and closer to danger, as friendships and allegiances are ever complicated by the war. Human perseverance and resilience are at the heart of this strong debut and the small Italian chapel remains, as it does in reality on the island of Lamb's Holm, as a symbol of these qualities.

1762. Mary is desperate to escape her embittered mother. So when her marriage to a prosperous sea captain is arranged, she embraces the damp salt air, cramped conditions and bad food. She sets sail on the Isabella, away from the land of her childhood towards unseen places and an unknown future. But being the captain's wife is going to be harder than she thought. Her husband is still grieving for his first wife, and Mary can't ignore her feelings towards another man onboard. Through him, she has a taste of the kind of love she might have known, and even begins to think that escape is possible. With ruthless pirates patrolling British waters and ports full of outcasts with unspoken pasts, Mary learns quickly that loyalties are always shifting and people are rarely as they first seem. The Captain's Wife is a richly realised story of adventure about a strong young woman determined to survive her fate by a wonderful storyteller.

During a major overhaul of British imperial policy following the Napoleonic Wars, an escaped convict reinvented himself as an improbable activist, renowned for his exposes of government misconduct and corruption in the Cape Colony and New South Wales. Charting scandals unleashed by the man known variously as Alexander Loe Kaye and William Edwards, Imperial Underworld offers a radical new account of the legal, constitutional and administrative transformations that unfolded during the British colonial order of the 1820s. In a narrative rife with daring jail breaks, infamous agents provocateurs, and allegations of sexual deviance, Professor Kirsten McKenzie argues that such colourful and salacious aspects of colonial administrations cannot be separated from the real business of political and social change. The book instead highlights the importance of taking gossip, paranoia, factional infighting and political spin seriously to show the extent to which ostensibly marginal figures and events influenced the transformation of the nineteenth-century British Empire.

In 1830s Sydney, a visiting aristocrat, Viscount Lascelles, is exposed as a former convict. In Cape Town, during the same decade, veiled accusations of incest and murmurs about a concealed pregnancy surround the family of the Chief Justice, Sir John Wylde. In these British colonies, the divide between the respectable and the disreputable is not as vast as might first appear. Rumour and hearsay muddy the lines between public and private worlds, and ensure that secret transgressions do not remain secret for very long.Scandal in the Colonies explores how colonial societies offered European settlers the opportunity to invent new identities, an opportunity exploited with a vengeance. But as people, goods and correspondence crossed the imperial realm, scandal was never far behind. In this lively and richly researched book Kirsten McKenzie uncovers the hidden stories of two port towns that were rife with gossip and dubious reputations. She argues that scandal influenced imperial policy and became a key element in the emergence of societies divided by class and race. Touching on themes such as masculinity and commercial culture, female sexuality in civil litigation and gossip in political culture, McKenzie offers a fresh and engaging approach to colonial history.